![]() ![]() ![]() Though not yet at the level of A24 and Neon, Gunpowder & Sky has been experimenting with more hybrid releases, starting with very successful limited theatrical releases for films like “Her Smell” and “Hearts Beat Loud.”įor the Lil Peep documentary, the extended dates could show how this dual pattern could increasingly serve as a model for a wide range of films. It’s a success that provides another indication of how nontraditional film distribution is rising. Many received links to the trailer a month ago announcing the initial shows based on results, it clearly connected. As befitting a Gen Z artist, he developed a detailed list of avid fans and where they were located. This weekend, “Everybody’s Everything” will start regular theatrical engagements at 31 theaters in 18 cities, representing an expanded play in response to early advance sales: The film sold out most of its initial tickets before Tuesday’s shows, suggesting strong fan support. Jones and Silyan’s film achieved about the same mid-week, with and single-show availability in most theaters. Abramowitz has favored this strategy for a number of films, including Ron Howard’s “The Beatles: Eight Days a Week.” That film, which went on to a $2.9 million gross, took in $275,000 its first day in 85 theaters that was on a Friday. Gunpowder & Sky partnered with Richard Abramowitz’s Abramorama for the marketing and distribution on the initial dates for “Everybody’s Everything,” which was directed by Sebastian Jones and Ramez Silyan. It grossed $440,000 for all its three shows in 330 theaters, for a PTA of $1,100 across both dates. release “Western Stars,” which starred and was co-directed by Bruce Springsteen, had Fathom showings on two nights, including a Saturday. ![]() It also had 154 international dates weekday dates, adding another $350,000. On the far more limited showings Wednesday and Thursday, the film added about $80,000 for a weekday total of $400,000. 'Ford v Ferrari' Gets Lead-Row Position Among Holiday Releases This Weekendįor “Everybody’s Everything,” which counts Terrence Malick as an executive producer, that took the form of 121 theaters on Tuesday, nearly all of which offered only one show. The Major Theater Chains Won't Play Netflix, but Fathom Already Points to a Compromise However, it’s also a testament to the power of the weekday screenings from Fathom and other limited-showing companies, which provide an increasingly vital supplement for exhibition. The film, which debuted at SXSW, opened just days before the second anniversary of his death from an accidental drug overdose at 21 and in tandem with a new album. That one went to Denver’s Northfield 18, where it grossed $10,538.Ĭertainly, it’s a testament to the rapper’s enduring popularity. On November 12, a Tuesday, screenings of the film grossed five of the top 10 grosses in North America, including the top spot. He was 21.“Everybody’s Everything,” a little Gunpowder & Sky documentary on the late emo rapper Lil Peep, managed something remarkable this week. Lil Peep died of an accidental overdose of Xanax and Fentanyl last November. She eventually relented after talking to XXXTentacion’s mother, Cleopatra Bernard, whom she reportedly sent a copy of “When Your Child Dies: Tools for Mending Parents’ Broken Hearts.” Womack also wrote on Instagram that the song wasn’t her choice. He was also facing witness harassment and tampering charges. LIL PEEP DOCUMENTARY TRIALWhile Peep’s mother, Liza Womack, has praised her son’s label for honoring his memory, she and others close to him were reticent about the September release of “Falling Rain,” a collaboration between the rapper and XXXTentacion that was released after both artists’ untimely deaths.Īccording to the paper, several members of Peep’s circle, the GothBoiClique, expressed outrage at the release, citing his “wariness of XXXTentacion because of the severe allegations against him.” At the time of his murder in South Florida in June, XXXTentacion was awaiting trial for domestic violence against a pregnant ex-girlfriend. 9) and the documentary, there may also be a soundtrack to accompany its release.Ī rep for Malick did not respond to a request for comment. In addition to “Come Over When You’re Sober, Pt. Lil Peep’s estate reportedly has a three-album deal with his label, Columbia Records. ![]() The acclaimed filmmaker behind “Badlands” and the “Thin Red Line,” who is a friend of Peep’s mother, is executive producing a documentary about the late rapper’s life, the New York Times reported. Terrence Malick wants to make sure Lil Peep is not forgotten. ![]()
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